Cold Snap (Part II): Russian Film after Leviathan



An auteurist orientation, therefore, is neither good nor bad, but it is certainly mismatched to an industry—especially during periods of robust growth—in which so-called “spectators’ cinema” [zritel’skoe kino] is in higher demand by producers.

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Admitted as a Tourist, Tried as a Spy



Then I was asked[…] to name the former US secret service workers that he believed were teaching at NYU, and to recount the anti-Russian information that they believed was being disseminated in my classes.

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