Cold Snap (Part II): Russian Film after Leviathan



An auteurist orientation, therefore, is neither good nor bad, but it is certainly mismatched to an industry—especially during periods of robust growth—in which so-called “spectators’ cinema” [zritel’skoe kino] is in higher demand by producers.

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Snowden in Moscow: The Interview



“I’ve been recognized every now and then. It’s always in computer stores. It’s something like brain associations, because I’ll be in the grocery store and nobody will recognize me. Even in my glasses, looking exactly like my picture, nobody will recognize me. But I could be totally clean-shaven, hat on, looking nothing like myself in a computer store, and they’re like, “Snowden?!””

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