An auteurist orientation, therefore, is neither good nor bad, but it is certainly mismatched to an industry—especially during periods of robust growth—in which so-called “spectators’ cinema” [zritel’skoe kino] is in higher demand by producers.
Continue reading...Cold Snap (Part I): Russian Film after Leviathan
Nancy CondeeThis essay provides context for roughly thirty-five current and upcoming Russian films, loosely clustered around four topics: directors; debuts; economic health; and dominant industry trends.
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