This new collection of plays by Sergei Tretyakov, translated by Robert Leach and Stephen Holland, attempts to solidify Tretyakov’s role in the Russian Theatrical Avant-Garde Canon. In his introduction, Leach bemoans that Tretyakov is often left out of the narrative of the theatrical experiments of the radical Soviet 20’s, especially in the West. While figures such as Meyerhold, Eisenstein, and Mayakovsky, all of whom closely collaborated with Tretyakov throughout the decade, have become darlings of the study of Avant-Garde Theater, Tretyakov has been left by the wayside.