Professor Kaganovsky’s study focuses on the contributions of the two early Soviet female directors: Esfir Shub and Elizaveta Svilova, “in order to make visible what has largely remained invisible – film editing as women’s work”
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Two tragedies coupled with a failed attempt at completing the film “The American”, broke the “rhythms and networks of meanings” that flowed through the Aleksei Balabanov’s earlier films.
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On May 13, 2016, the NYU Jordan Center for the Advanced Study of Russia and the Tisch School of the Arts welcomed Catriona Kelly for the last colloquium of the Spring 2016 semester, entitled “Period zapoya: Alcohol and Cinema during the Brezhnev Era.” Kelly, who is a Professor of Russian at the University of Oxford and a Fellow of the British Academy, was introduced by Eliot Borenstein, Professor of Russian and Slavic Studies at New York University. The former president of Association for Slavic, East European, and Eurasian Studies (ASEEES) and a prolific writer, Kelly spoke briefly about her ongoing project – a book on the Soviet cine underground, a history of film in Leningrad during the post-Stalin era.
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On April 8, 2016, the NYU Jordan Center for the Advanced Study of Russia hosted a conference entitled “Radiant Futures: Russian Fantasy and Science Fiction.” After the first panel, NYU Professor of Russian and Slavic Studies Eliot Borenstein introduced keynote speaker Anindita Banerjee. “If we think of our conference and our field in terms of science fiction, then she is Queen of Mars, our Aelita,” Borenstein said. Banerjee, a professor of comparative literature at Cornell University, centered her talk on Aelita, Queen of Mars, a 1924 Soviet silent film directed by Yakov Protazanov based on Alexei Tolstoy’s eponymous novel.
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On April 3, 2015, the NYU Jordan Center for the Advanced Study of Russia welcomed Russell Valentino – professor and chair of Slavic and East European Languages and Cultures at Indiana University – to speak about his latest monograph The Woman in the Window, published by Ohio University Press in October 2014. Valentino stated that the image of a woman in the window was ubiquitous in the books and films with which he has been working for many years. When writing about this trope, Valentino added, it is hard not to write about male fantasy.
On March 21, 2015, the Jordan Center for the Advanced Study of Russia hosted the 36th Annual Meeting of the North East Slavic, Eastern European and Eurasian Conference. Roughly fifty participants came together to present and participate in lively discussions of the day. The conference consisted of nine panels touching on subjects varying from the psychological in Russian art and life, symbolic geography, Soviet film, Polish politics, émigré culture, to post-Communist culture and politics.
