Robert Bird discusses female subjectivity in socialist realist film

On December 11, 2015, the NYU Jordan Center for the Advanced Study of Russia welcomed Robert Bird for a colloquium entitled, “Synchrony and Matriarchy: Documenting Female Subjectivity in Dziga Vertov and Elizaveta Svilova’s documentary The Three Heroines (1939).” The talk focused on Vertov’s final independent film before World War II, which completed a trilogy of films about women in the USSR. Bird, an Associate Professor in the Department of Slavic Languages and Literatures and the Department of Cinema and Media Studies at the University of Chicago, discussed female subjectivity in the context of socialist realism and the Stalinist era, drawing on a portion of his upcoming book manuscript about socialist realism as a model from 1932 to 1941.

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Irina Sandomirskaja discusses cultural significance of Russian icon in Soviet context

Irina Sandomirskaja by Ilaria Parogni

On March 13, 2015, the NYU Jordan Center for the Advanced Study of Russia welcomed Irina Sandomirskaja, Professor of Cultural Studies at Södertörn University, to present a paper entitled “Originating in Return: Russian Past, Soviet Legacy, and Critical Cultural Heritage Theory.” After a brief introduction by Professor Anne Lounsbery, chair of the NYU department of Russian and Slavic Studies, Sandomirskaja stated that in the past she has worked extensively on the relationship between image and word; now she has set off to study the object. In particular, she focused her study on the Russian Orthodox icon and its re-appropriation in Soviet cultural politics.

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