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Person or Persons Unknown

Everyone loves to be proven right, but novelists don’t often expect it — especially five hundred years after the period where their books are set. After all, that’s half the...

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Asceticism and Embodiment: Female Bodies, Sexuality, and Religious Experiences in Contemporary Russian Women’s Writing

Despite the constantly shifting landscape of women’s involvement and engagement with Orthodoxy and the Church, those seeking to reconcile female religious subjectivity and current Church dogmas—particularly as articulated by reactionary...

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Sex and Death in Věra Chytilová's "Daisies" (1966)

Questions of individualism, waste, superfluousness, apathy, and death, at the forefront of Chytilová's exploration of social conditions in mid-century Czechoslovakia, remain eminently relevant not only to the country's “communist” period,...

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Sex secrets of the Russian classics

Reason #137 to study Russian literature: apparently, it will teach children about sex. This is a good thing, because no one else in Russia seems to want to.

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Cold Snap (Part II): Russian Film after Leviathan

An auteurist orientation, therefore, is neither good nor bad, but it is certainly mismatched to an industry—especially during periods of robust growth—in which so-called “spectators’ cinema” [zritel'skoe kino] is in...

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