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Cold Snap (Part I): Russian Film after Leviathan

This essay provides context for roughly thirty-five current and upcoming Russian films, loosely clustered around four topics: directors; debuts; economic health; and dominant industry trends.

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Reenactments of 1917 in Film: Conference Recap

In collaboration with NYU’s Department of Comparative Literature and the Department of Cinema Studies, the Jordan Center welcomed speakers and guests November 17-18 for “Reenactments of 1917 in Film.” As...

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Cold Snap (Part II): Russian Film after Leviathan

An auteurist orientation, therefore, is neither good nor bad, but it is certainly mismatched to an industry—especially during periods of robust growth—in which so-called “spectators’ cinema” [zritel'skoe kino] is in...

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Thugocracy: A Way to Think About Trump and Putin

Professor Ries and her team developed an overarching lens through which the two world leaders could be viewed: by tracing similarities in their respective careers, Ries has concluded that both...

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Cultural Despair and the Soviet Seventies

In today’s United States, the '70s seem close at hand. After Donald Trump’s election to the presidency, Foreign Policy asked if the country was once again facing “the geopolitical malaise...

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Russians’ “Impressionable Years”

I argue that Russians’ worldview in the Putin era derives, at least in part, from the lived experience of the years just before and after the Soviet Union’s collapse. The...

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Kvas Patriotism in Russia: Cultural Problems, Cultural Myths

Professor Brintlinger's argument is developed along three ideas: Russian ideas about food become heightened during times of war and conflict; specific foods embody meaning beyond their sustenance value, to include...

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