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Cold Snap (Part II): Russian Film after Leviathan

An auteurist orientation, therefore, is neither good nor bad, but it is certainly mismatched to an industry—especially during periods of robust growth—in which so-called “spectators’ cinema” [zritel'skoe kino] is in...

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Sex secrets of the Russian classics

Reason #137 to study Russian literature: apparently, it will teach children about sex. This is a good thing, because no one else in Russia seems to want to.

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Cold Snap (Part I): Russian Film after Leviathan

This essay provides context for roughly thirty-five current and upcoming Russian films, loosely clustered around four topics: directors; debuts; economic health; and dominant industry trends.

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Our Pushkin?

Pushkinists know that today is a holiday. The first graduating class of the Tsarkoe Selo Lyceum annually celebrated the anniversary of their first day of school by gathering, drinking, and...

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Legal Nihilism in Russian Television Crime Dramas

The representation of law and justice in Russian crime dramas — and especially their inability to offer a positive image of universally applied law of the Western type — vividly...

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