Consent

This site uses third party services that need your consent. Learn more

Skip to content

Blog

Featured

Interrogating the Declining Significance of Pushkin’s Blackness: Henry James, Ivan Turgenev, and Literary Nationalism (with Korey Garibaldi and Emily Wang)

On October 14th, Professors Korey Garibaldi and Emily Wang, both of Notre Dame, joined the Jordan Center to speak about their collaborative work on race and literature in talk entitled...

Read

Firebird: From Slavic Mythology to American Identity

Originally choreographed by Michel Fokine for Diaghilev’s Ballets Russes in 1910, Igor Stravinsky's "Firebird" has been restaged many times and remains a popular ballet around the world and especially in...

Read

Iosif Vissarionovich Changes Profession

Under Stalin, a successful rehabilitation of Ivan the Terrible was required to be Romantic, implying an optimistic interpretation of history and of Stalin’s political achievements. Where the Party mandated Romance,...

Read

Vladimir Putin as a Renaissance Prince

Mark Galeotti is Professor of Global Affairs at the NYU SCPS Center for Global Affairs. He blogs at In Moscow’s Shadows.Back in 1968, the Slavic Review published a fascinating and...

Read

New Men in Love (Russia's Alien Nations)

The "New People suffer from a socialist version of the “terrible perfection” Barbara Heldt identified as the defining flaw of nineteenth-century Russian heroines

Read

The Power of the Past

Ten years ago, when I began writing a series of novels set in Russia during the minority of Ivan the Terrible, since published under the pen name C. P. Lesley,...

Read

Person or Persons Unknown

Everyone loves to be proven right, but novelists don’t often expect it — especially five hundred years after the period where their books are set. After all, that’s half the...

Read

US-Russia Relations Under a Biden Administration

It seems too early to predict what form Russian-American relations will take during the incoming Biden administration. We do not yet know who will head up the Departments of State...

Read

Cold Snap (Part I): Russian Film after Leviathan

This essay provides context for roughly thirty-five current and upcoming Russian films, loosely clustered around four topics: directors; debuts; economic health; and dominant industry trends.

Read

Cold Snap (Part II): Russian Film after Leviathan

An auteurist orientation, therefore, is neither good nor bad, but it is certainly mismatched to an industry—especially during periods of robust growth—in which so-called “spectators’ cinema” [zritel'skoe kino] is in...

Read

Updates Right in Your Inbox

Keep up-to-date on all upcoming events.