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All or Nothing: The Literary Significance of Proper Names

The philosopher Vladimir Soloviev (1853-1900) had a habit of naming each object he owned. According to émigré theologian Vladimir Lossky (1903-1958), Soloviev’s satchel was named "Grigory" and his pencil "Andrey."

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Workers Against the Workers’ State, Part II

"Dear Comrades!" won a special jury prize at the Venice film festival in September 2020. A one-hour promotional video follows Konchalovsky and Vysotskaya as they cavort through luxury locations in...

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Mr. Xi Goes to Moscow: Much Ado About Nothing?

A more nuanced appraisal of Russia’s relationship with China tells us a great deal about both how Russian elites define their country’s core interests and possible trajectories for Russian foreign...

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Cold Snap (Part II): Russian Film after Leviathan

An auteurist orientation, therefore, is neither good nor bad, but it is certainly mismatched to an industry—especially during periods of robust growth—in which so-called “spectators’ cinema” [zritel'skoe kino] is in...

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Thank You, Comrade Stalin, for Ben Carson

In Russia, the Dulles Plan was a pre-digital Internet meme, from back in the days when memes had to walk twenty miles in the freezing cold before finding a gullible...

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